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Five Major Religions In Game of Thrones

Throughout the eight seasons of Game of Thrones, religion had a crucial role in unifying and separating the houses, as well as contributing to several key character arcs. While the Faith of the Seven has the largest effect on the governance of the Seven Kingdoms, several other religions play significant roles in Game of Thrones’ overarching plot arc.

Game of Thrones, like the real world, contains a number of religions that tend to dominate different regions and peoples. The Old Gods of the First Men and the New Gods of The Seven are the two most common religions in Westeros. Because most of the key characters follow one of these religions, they are the most explored in the series. The Lord of Light and the Many-Faced God of the Faceless Men are two faiths on Essos that have relatively small followings.

The Forest’s Old Gods

The Old Gods of the Forest have no names and no faces, and can be discovered in trees, streams, and other natural aspects of forests. Northerners, like as the Starks, Umbers, Boltons, and Wildlings, are the most common worshippers of the Old Gods. The traditional religion has no organization, yet members worship the godswood at the heart tree via contemplation and devotion. The Children of the Forest were the non-human initial occupants of Westeros before the arrival of the First Men, and their history began with the Old Gods. The Children of the Forest are responsible for carving faces into the sacred Weirwood trees, which may be found all throughout Westeros, though mostly in the North, and are venerated by adherents of the Old Gods. The Children of the Forest and the First Men fought for a while before coming to an agreement that the First Men would never cut down another Weirwood tree.

The Seven-Fold Faith

The Faith of the Seven, sometimes known Game of Throne’s fan as the New Gods, is the most widely practiced religion in Westeros and the one most closely linked to the Iron Throne. Apart from the Houses of the North and the Iron Islands in Game of Thrones, the Lannisters, Tyrells, Targaryens, Tullys, and Tarlys all follow the Seven. The religion worships a single god with seven faces: The Father (divine justice, judges the souls of the dead), The Mother (mercy, peace, fertility, childbirth, women’s strength), The Maiden (beauty, purity, innocence, love), The Crone (wisdom, foresight), The Warrior (strength and courage in battle), The Smith (creation, craftsmanship, labor), and The Stranger (creation, craftsmanship, labor) (death, the unknown; rarely prayed to).

The God Who Is Drowned

The Drowned God has a cult following and is the Iron Islands’ guiding religion. Combative, seafaring, and piratical raiding skills are admired by devotees. The religion advocates paying the “iron price” rather than the “gold price,” which means plundering and pillaging rather than purchasing. The Perished God is claimed to have drowned in the sea for the iron birth, then returned to life “harder and stronger.” “What is dead may never die,” is the most common prayer recited by followers of the Drowned God. Drowned Men are priests who dip followers underwater for rites such as baptisms and blessings, including Theon Greyjoy’s uncle.

The Light’s Lord

The Lord of Light, also known as R’hllor, is a fire deity (who represents light, love, and life) who fights the world’s darkness, cold, and death. The Lord of the Light is widely worshipped in Essos, but a few red priests such as Melisandre and Thoros of Myr crossed the sea to bring it to Westeros. Prophecies and visions communicated by flames are prized in the religion, particularly those of “the prince who was promised.”

Death’s Multi-Faced God

The Faceless Men of Braavos worship a tiny religion known as the Many-Faced God in Essos, with Jaqen H’ghar portraying the Faceless Man in Westeros. Death-like gods from religions such as the Seven, the Drowned God, and the Lord of Light, according to the Faceless Men, are all different ways the God of Death has shown itself to humanity. Death is a blessing and an end to suffering for the Faceless Men, and they are Death’s servants. Their victims cannot be picked for personal reasons; instead, they must obey the religion’s rules and sign an assassin’s contract with the requestors. To better serve the Many-Faced God, the Faceless Men must become “no one,” forsaking all traces of their previous lives and identities. The features of people who have been assassinated or made to suffer more easily by the Faceless Men are then utilized as disguises. All those religion can find at any seasons of Game of Throne series watching at 123Movies.

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The Final Season Game of Thrones, Holds Up Better Than You Remember

Will Game of Thrones (which was sold to HBO as “The Sopranos meets Middle-earth”) face the same uphill battle? It’s just been two years since the fantasy epic’s final season aired, much to the dismay of viewers, but a lot has transpired in that time. Game of Thrones’ eighth and final season holds up much better than you probably remember in a world filled with fire and pain, separated from the unreasonable expectations of a zeitgeist-changing masterpiece showing its ending in real time.

Really, it’s all about “The Bells.” One of the most significant creative decisions made during the creation of Game of Thrones’ final season was to abandon the show’s traditional 10-episode format in favor of six mega-episodes. The final season rests on two scenes in particular: “The Long Night,” which depicts the remaining humans’ last battle against the Night King’s undead army, and “The Bells,” which depicts Daenerys Targaryen’s (Emilia Clarke) long-awaited capture of King’s Landing. The remaining four episodes are essentially about getting to and from these climactic encounters, therefore the success or failure of Season 8 is largely determined by the effectiveness of the two pivotal episodes.

Some viewers complained about plot shortcuts, or compressed time, which allowed the show to travel vast distances in a single episode rather than taking a season to get from King’s Landing to Riverrun, but if you enjoy the impact of those chapters, it’s easy to forgive the show for getting where it needed to go. We’re not in the business of awarding participation trophies, but it’s worth noting that the Westeros saga is so long, complicated, and sprawling that its creator, George R.R. Martin, has yet to complete it — perhaps because he refuses to take shortcuts and is still agonizingly working through various plot machinations required to reach his endgame. Some of us remain optimistic that he’ll make it, but Thrones’ producers can’t stand the idea of waiting until they’d found out the perfect answer; HBO doesn’t have boundless funds or an inexhaustible need for viewers’ attention.

“The Long Night” was the most intense battle episode in the history of Game of Thrones, which is saying a lot. Miguel Sapochnik, the same director who directed “Hardhome” and “The Battle of the Bastards,” designed it to outperform prior high points like “Hardhome” and “The Battle of the Bastards.” While those fights took place in the clear light of day, Sapochnik and his team made the crucial creative decision on “The Long Night” to immerse spectators and actors in the same darkness as the characters. The sole source of illumination was the flames that the living utilized as a primary weapon against by the dead. This made filming “The Long Night” an almost unbearably terrible experience, as James Hibberd recounted in EW’s cover story on the last season, with actors and members of the crew choking on smoke and working via their own long nights. It also made it difficult for viewers to follow the action at times, lowering the episode’s initial rating.

That reading-between-the-lines thing isn’t a key defense of the last season; it’s just interesting to consider for a show with so much legacy. Although Westeros’ mythical history spans thousands of years, little appears to have changed in terms of technology or politics during that period. It doesn’t matter if it’s due to the existence of magic, the strange years long seasons, or the seemingly impenetrable political stagnation; the point is that a planet is a difficult thing to change. When seismic transformations fail, the least people can do is take responsibility for their own lives (as Jon and Tyrion do, each serving a purgatory sentence for killing Dany) or make the most of their opportunities (as Arya does by setting off to explore new lands, or Sansa does by finally being crowned Queen in a land obviously hostile to them). The plot shortcuts or even corny dialogue don’t register as much as the worthy or tragic fates for interesting characters and ever lesson in the depravities of war and power when judging the last act of such a zeitgeist-changing program as Game of Thrones, that you can watch online at 123Movies site.

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In Game of Thrones, There Was A Major House That Went Extinct

Many historically noble households rose and fell in Game of Thrones, albeit a few actually became extinct along the way. The numerous noble houses of Westeros strive for power as well as the Iron Throne in the titular war, betraying their allies, befriending their enemies, and weighing their loyalties. Families in the series are estimated by dividing, with a few prominent houses functioning as liege rulers for the smaller houses in their kingdoms. During the conflict in Westeros, the hierarchy of houses and who owns particular castles changes continuously as many families rise up or die out. Many historical houses with great titles, including as the Reynes, Casterlys, and Blackfyres, were exterminated long before the timeline of Game of Thrones, with new family names assuming their ranks and castles.

Tyrell House

For hundreds of years, the Tyrells of Highgarden governed the Reach as a Great House of Westeros. The golden rose in their house symbol informs their slogan “Growing Strong.” House Tyrell is controlled by Mace, the son of Olenna and Luthor Tyrell, in the Game of Thrones era. Mace, the lord regent of the Reach and Master of Coin for the Iron Throne’s small council; Margaery, Mace’s daughter who marries into the heir-apparent three times to Renly Baratheon, Joffrey Baratheon, and then Tommen Baratheon, during which she twice becomes Queen of Westeros; Loras, Margaery’s brother who is a highly acclaimed knight who was named a member of the Kingsguard;

Mormont’s House

House Mormont is a tiny, powerful dynasty whose insignia is a bear. They are one of the noble families who owe their fealty to the Starks of Winterfell. “Here We Stand,” the northern house of Bear Island declares, expressing their pride and fortitude despite the horrible humiliation that has befallen them. Jeor Mormont, the actual heir to Bear Island, abandoned his claim and titles after his son Jorah shamed his family by trading slaves, a practice that resulted in his expulsion from Westeros. After Jeor abandoned his claim, he became Lord Commander of the Night’s Watch, and his sister Maege became the head of House Mormont. Maege was the ruler of Bear Island until she died in the War of Five Kings, when she was succeeded by her young daughter, Lyanna, the deadliest young Lady in Westeros.

Clegane House

House Clegane was not a traditionally aristocratic house in Westeros, having just received titles two generations prior to Sandor and Gregor. The kennel master of Casterly Rock, whose dogs fought off the lioness attacking Lord Tytos Lannister, was the grandfather of the brothers. Tytos granted the Cleganes a formal seat and titles as a result of the incident, and their insignia was changed to three hounds on a yellow field. Sanor and Gregor “The Mountain” Clegane were the only heirs of House Clegane, and both became knights in King’s Landing, serving House Lannister.

Bolton House

House Bolton was a Great House located at the Dreadfort that paid loyalty to the Warden of the North, House Stark. It was one of the most vicious houses in Westeros. After their terrible torture tactics on their adversaries, their symbol was a flayed man with the phrase “Our Blades Are Sharp.” House Bolton is governed by the crafty and apathetic Roose Bolton for the majority of Game of Thrones, who cheats the Starks and has Robb and Catelyn killed at the Red Wedding.

Karstark House

Many of the old houses were left without mature heirs as a result of the War of the Five Kings, which meant that many of the new noble families would be youngsters. After her dad Harald was murdered in the Battle of the Bastards and her brothers and uncles were slaughtered for treachery against Robb Stark, House Karstark’s lone heir was Alys.

Umber House

The Umbers, another northern family with ties to Winterfell, fought alongside Robb Stark’s army in the War of Five Kings before joining with the Boltons against the wildlings and Jon Snow. Greatjon and Smalljon Umber were the Lords of the Last Hearth in the first few seasons of Game of Thrones. Smalljon betrayed the Starks by capturing Osha, Rickon, and Shaggydog before the Battle of the Bastards. You can learn Game of Throne’s history with watching it on 123Movies.

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How the Stark Direwolves Represent the Show in Game of Thrones

Most fathers do not gift their children pups with the following loving refrain: “Train them yourself, feed them yourself, and bury them yourself if they die.” But it’s evident from the start of Game of Thrones that Ned Stark (Sean Bean) isn’t your usual TV father, and the puppies he bestows to his six children in the opening episode aren’t going to grow up to be your typical pet.

Because this mythological breed of canine was the official symbol of the Stark family, direwolves were a key component of the show’s symbolism from the first episode. But, beyond the family’s flag, direwolves offered more than just a foretaste of the magical elements that would soon come to dominate the story. Because what’s fascinating about the show’s treatment of direwolves is how they end up functioning as a microcosm of both the best and worst elements of Game of Thrones.

Ned and some of the younger Starks are coming back home after a day of fugitive when they come upon a dead direwolf in the woods in “Winter Is Coming.” Ned’s first thought is to put her orphaned pups to sleep, but Jon Snow (Kit Harington) persuades him to give them to the Stark children instead, because there are five puppies and five Starks. (As befitting a member of the Stark family, Jon is given the white runt discovered minutes later.)

Scenes featuring the Stark direwolves provide immediate insight into the show’s deeper layers. For example, Theon’s (Alfie Allen) attitude at the scene where the puppies are found is a near-perfect synthesis of the character faults that will eventually lead to his disastrous future: After judging the direwolf as a “freak” at first sight, he jumps forward to kill the puppy Bran was always cradling after Ned advises that they should be put out of their suffering. He’s a boy yearning to feel like a true gentleman, lacking the the inside strength and integrity to obey his own correct path, and those qualities will start contributing to his not-exactly-unexpected demise.

But it’s the second episode in the series, “The Kingsroad,” when they really shine as a component of the tale, confirming for the audience that anyone can die at any time, and frequently for completely wrong reasons. During a rest stop, a drunk Prince Joffrey (Jack Gleeson) gets into a fight with Arya Stark (Maisie Williams) and Mycah the butcher’s boy, while King Robert (Mark Addy), the Lannister clan, Ned Stark, and Ned Stark’s daughters are highway from the North to King’s Landing (Rhodri Hosking). Joffrey’s bullying is put to an end when Arya’s direwolf Nymeria attacks him, but in retaliation, the King and Queen Cersei (Lena Headey) slay Mycah and demand the execution of Sansa’s direwolf Lady.

Killing a dog on cinema is a taboo that some viewers may find so offensive that they will refuse to watch — even if it’s a film like John Wick, where the dog’s murder serves as the catalyst for the titular character’s deadly vengeance against… wow, Alfie Allen again! I guess he discovered his calling.) Despite this, everything about this story point is crucial to comprehending Ned Stark as a person, the Baratheons and Lannisters as rulers, and Westeros as a country.

Lady’s death was horrific at the time in Game of Thrones — while the actual deed unfolds mostly off-screen, those awful cries of puppy slaughter are hard to forget — yet it didn’t feel particularly gratuitous… At least, compared to what was about to happen. Grey Wind was killed by same men who killed his human partner during the Red Wedding, and his head was beheaded to create the gruesome visual of his head placed on Robb Stark’s body; Shaggydog was also decapitated when Rickon Stark was captured; and Bran’s beloved Summer can save his boy’s life one final time by having to sacrifice himself to the white walkers at the cave of the Three-Eyed Raven.

Nymeria’s disappearance in “The Kingsroad” is also significant for the show since it illustrates yet another characteristic Game of Thrones trait: the insertion of dangling story strands that will never be resolved satisfactorily. The question of whether Nymeria would ever reappear was debated for years, and was finally answered in Season 7, when Arya runs into her former dog in the wild, leading a pack of non-dire-y wolves — a total let down of a reveal that made us wonder why we cared in the first place, and a very common emotion to feel during the series’ final years.

There’s Ghost, about the only Stark direwolf to see the series through to the end. While Ghost appeared in all 8 seasons of the show, he was mostly an afterthought, owing to the fact that going to film a doggo the size of a pony (as full-grown direwolves do) is a fairly expensive visual effect — but also because, like many other characters on the show, the scriptwriters simply didn’t know what to do with them.

If they were viciously cut down to demonstrate the cruelty of George R.R. Martin’s brand of narrative, casually killed as collateral damage, or forgotten about entirely, these six puppies discovered in the season premiere represent so much about how the show seized our attention and earned our frustration. Anyway, you can watching all Game of Thrones’ series online at 123Movies.

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2 Most Killing Weapons in Game of Thrones

The story about Game of Thrones seems to never run out to be peeled. Various intrigues, dramas, conspiracies and various exciting conflicts attract fans. Including the weapons used in the story. There are 2 main weapons that are the deadliest devices in it. What are the weapon? How did these objects come from? Where can it be found? Let’s look at the following explanation that will definitely help for those of you lovers of the Game of Thrones series.

Dragonglass

Dragonglass is a very common name in Westeros. Refers to a substance known as obsidian, a form of volcanic glass. Along with Valyrian Steel, Dragon-glass is one of two objects known to kill White Walkers. These objects can also kill Wights, zombies that are brought to life by the White Walkers or Night Kings. In Old Valyria, Dragonglass is known as zīrtys perzys, which translates as “frozen fire”. A large number of Dragonglass can be found in Dragonstone, the home of the Targaryens.

Dragon-glass is a very important object for the Children of the Forest. They use Dragon-glass as a weapon. Weapons made using Dragonglass are knives, daggers, and arrows. A secret that may be forgotten is that the Children of the Forest are the creators of the White Walkers (especially the Night King). At first, the Children created White Walkers to be used as weapons.

They created the White Walkers with a magic ceremony involving humans. The first White Walkers were created when Children of the Forest inserted Dragonglass shards into human chests. Now, the first White Walkers created by the Children of the Forest are known as the Night King. You may still remember when Samwell Tarly tried to save Gilly from the White Walkers attack. At that time, Sam accidentally killed the White Walkers using Dragonglass, since then he has studied Dragonglass more deeply.

Various weapons made of Dragonglass, possibly made from mines in Dragonstone. Until then, these weapons were used to hunt the Wights. Some of the weapons used for hunting include battle axes, spears, and daggers. During the Age of Heroes, it was also recorded that the Children of the Forest always gave hundreds of daggers made of Dragonglass to the Black Brothers every year. The purpose of giving the weapon was none other than to kill the White Walkers.

Valyrian Steel

Valyrian Steel is a form of metal forged during the heyday of Valyrian Freehold. When Valyrian metal is turned into a bladed weapon, it stays sharp forever, without even needing to be sharpened. In addition to its sharpness, Valyrian Steel is also known for its strength and lighter weight when compared to ordinary metal or steel. In addition, weapons made of Valyrian Steel have a distinctive sound pattern produced by these weapons.

Together with Dragonglass, Valyrian Steel is one of the things that can kill White Walkers. Although this thing is not widely known, even by the White Walkers themselves. Since the destruction of the Valyrian kingdom, most of the remnants of weapons made of Valyrian Steel have been inherited and spread across several noble kingdoms in the Houses of Westeros. The secret of making this weapon, known only to the Valyrians. Along with the destruction of the Valyrian kingdom, the secret also became extinct. After the destruction, the manufacture of new weapons using Valyrian Steel material became very unlikely.

Some stories state that Valyrian metal is filled with magic spells and forged using Dragonfire. Until now, no one has been able to confirm or deny the story about the Valyrian Steel. Materials for making weapons out of Valyrian metal were extremely difficult to obtain, even after the kingdom’s demise. The Valyrian Steel sword is likened to Ice belonging to the Stark kingdom. Something that had been passed down from generation to generation within a powerful noble family.

Skilled blacksmiths can reforge weapons made of Valyrian metal by smelting existing Valyrian weapons. However, it is a process that is not easy, it can even be said to be very difficult. Two Valyrian Steel small swords, made from a Valyrian greatsword. On the other hand, a large Valyrian sword can be made by fusing several smaller Valyrian swords. However, the problem is that the amount of Valyrian metal left in the Game of Thrones world is very small, even very rare.

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A Dramatic and Exciting Dragon Combat in Game of Thrones

Game of Thrones offered us the most fulfilling and thrilling scene of this little seventh season so far on Sunday night: The armies of Daenerys Targaryen and Jaime Lannister come face to face in a scorching battle at the end of “The Spoils of War.”. The air was filled with the screams of giant arrows. Scythes of the Dothraki were transformed into grins flowing with the blood of the Lannisters’ allies. Backs were broken by Spears. Dany’s Boeing-sized dragon ripped through the skies and burnt the ground, destroying everything in its path. The battle was stunning, gory, and chaotic — a magnificent production success that felt like it was straight out of an action film. (Seeing the sequence in an IMAX cinema would certainly cost me money.) The combat, on the other hand, was a triumph in terms of storytelling.

Cersei Lannister’s methodical march on Highgarden, which saw her achieve a significant victory against Dany just last week, has abruptly turned into a failure. Jaime now has a better understanding of the full extent of Targaryen rage. Dany has confronted her foes and wreaked havoc on them — but not without injuring one of her dragons. Her dragon was wounded by one of the Lannister army’s scorpions at the end of the episode (those giant dragon-killing crossbows). Game of Thrones has really turned up the volume on the Targaryen-Lannister battle as we near the end of this short season (there are just three episodes remaining! ), making a huge conclusion feel imminent.

Dany was fed up with holding her dragons back as her allies were defeated

Dany and her crew have been trying to play a strategic game since they first arrived at Dragonstone, but they’ve been shamefully poor at it. Tyrion Lannister, who has provided Dany with a wealth of wise counsel in her quest for the Iron Throne, has unwittingly led her astray with his war techniques, which have resulted in her allies being slaughtered one by one: Yara Greyjoy was captured and her fleet destroyed; the savage Olenna Tyrell was caught off guard during an attack on Highgarden (Tyrion advised Dany’s forces to take what turned out to be mostly abandoned Casterly Rock) and died; and Ellaria Sand is watching her last living daughter die and rot in Cersei’s basement.

Following these defeats, Dany was frustrated by the fact that she could have done something to help her allies — particularly, by riding in with her dragons to save the day — and she asked Tyrion if his blunders are the result of him going up against his own family. And in answer, he told her that it is his method, as well as the necessity of restraint, that will make her a “wise” queen.Tyrion gave Dany two rules to follow. The first is to keep battle losses to a minimum and to avoid spilling innocent people’s blood. The second is to keep herself secure and delegate her battles to her warriors. He doesn’t want her to fight with her army and endanger her life. Dany’s dilemma is highlighted in this scene: whether to be an honorable queen who inspires — the kind of queen Dany aspires to be and has been — or a “wise” queen who maintains power.

It’s fascinating that Game of Thrones makes this distinction, because we associate Cersei with the latter. She’s grown into a major villain, but she’s also astute, and she’s had a lot of experience gaining and maintaining power. That Tyrion and Cersei share the same mindset — that it’s better to be brilliant and dominate than to be loved and heroic — is understandable, given the Lannister way of life.

Dany gets bored up with Tyrion’s advise in the episode’s second act, and she doesn’t appear again until she’s descending upon the Lannister forces. We don’t see any debate between Dany learning that her allies had been killed and unleashing an attack on Jaime Lannister’s forces. We don’t even know if such a discussion had place. After all, Tyrion had earlier urged her to remain at Dragonstone, claiming that riding her dragons into battle would make her an easy target. Every arrow that passes over Dany’s head during the major battle sequence in “The Spoils of War” implies that Tyrion was correct about the risk she takes every time she goes into battle alongside her troops. As a result, while it was satisfying to witness Dany (finally) encourage her troops and annihilate some foes, the result was her dragon’s wounds.

The ramifications of this encounter will shape the rest of the season

The fact that Dany and the Lannisters don’t know each other on a personal level has been overlooked this season, which has included a lot of talk about war and the nuances of combat. They’ve mostly only heard negative things about each other from other people. That only added to the power of the scene in which Jaime and Bronn tremble in their boots at the sight of Dany on her dragon. Meanwhile, we got to see the massive crossbows that Qyburn has been developing in action. Dany was taken aback by the Lannisters’ ability to create a weapon capable of injuring one of her dragons.

This could have an impact on how Dany and the Lannisters fight in the future. Dany has no idea how many Lannister dragon crossbows they have or how quickly they’re making them. She’ll definitely think twice about charging in again now that she realizes the Lannisters aren’t as defenseless as she once believed. The Lannisters’ crossbows were capable of injuring but not killing a dragon. Furthermore, we’ve seen how easy the devices can be damaged. We may presume that if there is a next time, Dany’s war council will look for a way to disable the crossbows before Dany flies in. There’s also the matter of Jaime’s reaction to the battle. This is a man who witnessed his army disintegrate in seconds. How will he be able to recover from this? What exactly does he say to Cersei? Dany’s dragons and the Dothraki army, in especially, seemed to unsettle Bronn, who had spent much of the episode talking about how death doesn’t bother him. Ironically, the significant character most affected by “The Spoils of War’s” climactic battle may be the one who wasn’t even present on the battlefield.

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Some Valuable Lessons to Learn from Game of Thrones

Game of Thrones is currently the center of discussion. Sequel to the drama that became the talk of many media, one of which is Twitter. A drama that is always unpredictable. Having a favorite ending character doesn’t match the expectations of its fans. This actually makes the sequel to this drama even more liked by many viewers. The drama, which has now reached season 9, is always awaited by its fans.

Based on a novel entitled A Song of Ice and Fire. The film or drama aired by the television station HBO, scored an unexpected success. Is a fantasy drama film that tells the life of kingdoms in a fantasy world. It wouldn’t be wrong if it continued to be made until it reached season 9. Those of you who haven’t followed the story from Game of Thrones since season 1 might be a little confused when watching Season 9 at this time. The following is a synopsis of the current most popular drama sequels starting from seasons 1 to 8.

Game of Thrones Season 8, which has passed, is still a hot topic in cyberspace. After presenting a series of players whose characters are still alive today, some of them are Emmy and Golden Globe winner Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke, Aidan Gillen, Kit Harington, Sophie Turner, and Maisie Williams.

If you trace the story of Game of Thrones starting from the first season, you will know that this series does bring up various conflicts that are packed with tension. Moreover, several characters who were thought to be the main characters were actually killed. Unfortunately, behind the storyline that managed to make the audience curious, Game of Thrones since season 1 has been quite controversial, especially in Indonesia. This is because the series was first released in 2011 and broadcasts many unnatural sex scenes and sadistic scenes.

However, even though it is somewhat controversial, in fact there are many valuable lessons that can be taken from this series, here is a summary.

Life’s Suffering Can Make Someone Strong

Yes, of course extreme suffering can make a person very strong. This is how the Stark family feels in this series. After Ned Stark was executed, the Stark family had to be separated and had to live a tough life especially for Arya Stark, Sansa Stark, Brandon Stark and Jon Snow. But this is what makes them so strong.

Absolute Power Only Brings Suffering

This series tells a lot about wars between kingdoms for power. However, from the war only suffering resulted. Many innocent people are victims of this war and power struggle.

Unity Can Overcome Everything

The war between the kings in this series has no end. Meanwhile, the Night King and his army are on their way to The Wall to eliminate human civilization. No king can defeat the Night King and his army, only unity can defeat them.

Those are 3 important life lessons that you can take from Game of Thrones. At least these things will be an afterthought in living life in the future, apart from just enjoying the cinematic beauty and the superiority of the story.

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What Makes Game of Thrones Series So Attractive

Game of Thrones, the fantasy TV series based on George R. R. Martin’s books, set a record for viewership in its final season. The series that aired on the American TV network HBO set a record for the most viewers. What is the formula for this TV series that has succeeded in attracting so many viewers?  There’s fantasy, drama, mystery, supernatural beings that can kill, drama, incest and many more things that involve supernatural characters. Here are eight reasons behind the TV series that set a huge record in attracting viewers. And here are some interesting things about Game of Thrones series.

1) Surprisingly Death

There are many victims in this series. For Game of Thrones fans, of course, remember how in the first season “good characters” were killed in strange ways. Most of the deaths are unexpected and shocking, and begin with the execution of the main character in season one, Eddard Stark. The violence and sadism of this film, coupled with the difficulty of predicting and the frequent death of characters, still makes the audience always wait. The story that is shown creates a mystery and that no one is safe. Fans are also increasingly curious as to what will happen next.

2) Many Secrets

Starting from the first episode, the series of stories that changed made many viewers keep waiting for this series. Various theories also emerged and many fans shared predictions in the series of stories. Game of Thrones or GOT even made a cultural change in how people watched pay television programs. The last season of GOT also encouraged fans to create a number of events with the theme of GOT while talking about various mysteries and intrigues. For those who fail to guess the next storyline, this series actually makes people even more addicted.

3) Scriptwriting

The writing of the script and coupled with the outstanding visuals with characters that make people curious has made many praise the work of David Benioff and Dan Weiss. This TV series is adapted from George R. R. Martin’s book series, a Song of Ice and Fire, set in a fantasy world with giants and dragons. But this script managed to attract audiences who were previously not interested in the fantasy film genre, because of the intense political drama and interpersonal relationships.

4) Strong Character

Beyond great abilities, the character development in this series is the reason why audiences stay tuned. In GOT, the audience will never know whether the hero or the villain will win. Usually GOT displays the opposite view. Every character, no matter how good, is a villain in the eyes of the other side. The concept of morality becomes subjective with heroes being anti-heroes and vice versa. It is the journey and struggle of these multidimensional characters that makes the audience even more transfixed.

5) Nude scenes, fierce women and feminism

While some people initially complained about the film, which initially featured nudity, rape and violence against women, many viewed the GoT TV series as a feminist film. The female characters who survived until the last season were: Daenerys as the “mother of the dragons”, Sansa turned into a tactician, Arya became a deadly assassin and of course Cersei, as the main enemy. These female characters face severe trauma in their own way but they also have their own way of surviving. Their power is depicted when the main villain of the Night King is defeated by Arya.

6) Soundtrack Music

Television series films rarely succeed, but composer Ramin Djawadi was successful in composing GOT music which has now become a kind of cultural phenomenon. The series’ music has become one of the most popular in modern television.

7) Controversial Theme

The idea behind this fantasy drama in Westeros depicts brutality. In addition to the many sex scenes, uncensored violence, there are also elements of incest, rape, pedophilia and sadistic scenes, which are disturbing to watch but make people curious and waiting, especially the surprising factor. Some people say the popularity of this film is due to the subconscious desire of humans to be truly free without restrictions or rules.

8) The Dragon

There are many mystical creatures in this series, such as the three dragons, as well as the direwolves, the wolves. Creatures created through computer, CGI, computer-generated images, are very realistic and have terrifying effects. These creatures are works that make the audience want to keep watching. One of the elements in Game of Thrones is getting people to use their own imagination. Maybe it’s like children imagining fairy tales, but this time it’s for adult consumption.

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Every Character In Game Of Thrones Died For Almost The Same Reason

Every important figure in Game of Thrones died for much the same reason if you look at their motivations and faults. Though their deaths were each one-of-a-kind in terms of morbid ingenuity, the reasons for their deaths can be boiled down to a single, basic, and tragic explanation.

Unexpected deaths have been a part of Game of Thrones since the beginning. The death of Ned Stark, the show’s conventional main character, was a major plot point in Season 1. Despite his satisfying drive suggesting he might actually achieve in his objective to disclose all of King’s Landing’s dark secrets as the first season went, his doom was all but sealed. King Joffrey Baratheon sentenced Ned to death before the end of season 1, episode 10, and the rest is Game of Thrones history. Though Ned’s trek was honorable, he sealed his fate from the start, as did every other significant player on Game of Thrones who didn’t actually make it out alive, as the series would illustrate.

Game of Thrones’ final season is as rich as it is polarizing, but the destinies of its characters all boil down to one thing, which may as well sum up the entire story: each of them put all of their eggs in one basket. They all went all-in on a single ideal or end goal, with nothing except nearsighted aspirations to guide them. They may as well have sealed their destinies as a result of this. The show’s primary characters all lost the Game of Thrones because they refused to compromise, adapt, or progress.

Ned Stark was steadfast in his commitment to honor. Lord Varys is only concerned with the kingdom’s well-being. Cersei Lannister desired power as a kind of vengeance. Stannis Baratheon was self-serving and haughty. The High Sparrow was a pious man to the point of obsession. Oberyn Martell’s judgment was clouded by vengeance. Daenerys and her brother Viserys were both desperate to sit on the Iron Throne and govern. In some cases, characters were motivated not by values or aims, but by individuals, such as Jaime and Jorah, who were unwaveringly loyal to Cersei and Daenerys, especially. These fatalities demonstrate that Game of Thrones is more than a saga about wars, royal claims, and dragons; it’s also a warning tale about the risks of inflexibility.

There are, of course, certain exceptions. Missandei was a key character who died, but her finale was less about obeying Dany and more about freedom and peace; and while Tommen Baratheon was too young to have a genuine point of view, spectators saw the beginning of this concept when the High Sparrow took Tommen under his wing.

The characters that made it to the end of Game of Thrones were the ones who changed the most. The Starks are the most apparent illustration of this, with Bran ascending from disabled to king, Arya abandoning a life of revenge, and Sansa not only appreciating but ruling her homeland after years of desiring to do nothing more than flee it. Even Tyrion confirmed that a Lannister can see beyond their family sigil, growing from a foulmouthed drunk to one of Westeros’ wisest and most important characters – in contrast to his brother, Jaime, who had the potential for one of the series’ strongest arcs, only to overturn his growth, revert back to his old ways, and essentially pay the price.

And, while there is plenty more to peel away and go back to Game of Thrones, this underpinning moral of George R. R. Martin’s epic tale is undeniably at its core, which may allow viewers who weren’t totally content with the way some characters’ fates played out feel more at ease. Well, you can enjoy watching it on 123Movies streaming online.

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Every Game of Thrones Character Who Was Recast

It’s hardly surprise that several Game of Thrones characters are recast over the series, given that it’s an eight-season program with many characters recurring after years offscreen. Game of Thrones is one of the most popular television shows in history, based on “A Song of Ice and Fire” novels written by George R.R. Martin’s. Game of Thrones presented an extraordinary and ever-changing ensemble piece while examining the conflicts, allyships, and disappointments of houses in Westeros as they compete for power and a place on the Iron Throne.

With such a diverse set of characters and storylines during periods of war and murder, it was usual for performers to join the series with the expectation that their characters would die soon. For example, actor Sean Bean was heavily marketed for Season 1 of Game of Thrones, and his character Ned Stark was shockingly murdered off after only 9 episodes. Few people survived by the first episode to Game of Thrones’ contentious end, demonstrating that no one is safe in the series. The exceptions are four of the six Stark brothers and Tyrion Lannister.

The actors inside the core characters of Game of Thrones were possibly dreading or expecting the script where their personality is unusually killed off, even as it seems it was more popular for the minor or second tier characters to be depicted considerably for a few chapters and then decrease off of the series alongside their actors until many seasons later. Many major roles were recast with various actors due to Game of Thrones’ projected eight-year schedule, which includes large gaps between performances for secondary actors and the possibility of character expansion in subsequent seasons.

Daario Naharis is a Lithuanian Actor

Because of the intervals between their characters’ emphasis, most Game of Thrones corrective feedback went unnoticed, but Daario Naharis’ shift in performers didn’t fool anyone. Daario was first seen as a lieutenant of the Second Sons at the end of Game of Thrones season 3 and was played by Deadpool actor Ed Skrein. After appearing in the final three episodes of season 3 as Daenerys Targaryen’s new ally, Michiel Huisman, who played Daario Naharis in The Haunting of Hill House, is recast as Daario Naharis in Game of Thrones season 4. The difference was obvious to those who binge-watched the series, especially as Huisman portrays the romantic interest role considerably differently than Skrein. Many assumed Skrein’s absence was due to scheduling issues with The Transporter Refueled, but the actor refuted this in 2015, stating EW that “politics” prevented him from returning.

The Raven with Three Eyes

The human Three-Eyed Raven debuted in Game of Thrones season 4 as portrayed by Chariots of Fire actor Struan Rodger, in a narrative that would alter Bran Stark’s character’s trajectory. After being missing for the entirety of Season 5, the Three-Eyed Raven was recast in Season 6 with famed actor Max von Sydow, who returned to help Bran on his adventure. The reason for the Three-Eyed Raven’s recasting was never formally acknowledged by the Game of Thrones team, but it’s likely that the show wanted a more renowned and reliable actor in the role as the character’s importance grew. The Three Eyed-whole Raven’s appearance and personality shifted with the new actor, similar to the Daario Nahaaris recasting.

The Night King is a Fictional Character

The malevolent Night King, who functioned as the underlying menace to the players throughout Game of Thrones, was one Game of Thrones remake that was more difficult to notice under all of the makeup and CGI. The Night King was first featured in Season 4 and was performed by Richard Brake for three episodes until his final performance in Season 5. When the figure was reintroduced in Season 6 of Game of Thrones, he seemed human as among the First Men who was slaughtered by the Children of both the Forest. The Night King was replaced with actor Vlad Furdik for this appearance, and he later played the villain as a White Walker until he was murdered by Arya in the Battle of Winterfell. The reason for the Night King’s recast isn’t entirely apparent, since many speculate that Richard Brake left due to schedule difficulties with The Bastard Executioner, however no official confirmation has been given. Nonetheless, because Furdik was already a crucial stuntman on Game of Thrones and had played the first White Walker killed by Jon Snow, the bosses invited him to replace over as the Night King for Episode 6. You can watch all of those GoT seasons at 123Movies.